zafusy

contemporary poetry journal

Demonstrably So
 
Soft as fontanelle, like a lover’s seat
in the dirigible that oversees the
parsing a dialect of bubbles, with a
paprika of the off blue sea.
Tragic made to hitchhike.
A swagger on the water.
Blitzkrieg of memos for the marigolds.
Crux is round at the corners.
It’s raining, for lack of tears on the
cheeks of the slackjawed.
Little holies everywhere, dredged
and hermetically sealed for fear
of falling skies.
Thimble divers checking for prints
in a stitch in time saves nine whole
yards of what’s not thought to be
the life as lived on water.


What Not
 
A flirt with two stirrups
and a luxury liner
sealing the hole in
your pants. Ovoid
mama’s helper
squared to fit Attila’s
thumb. Dorsal fins
punctuating the
bathtub. Pollyanna
pushing banana fudge
as antidote to
marmalade in the
bell jar’s starring role.
The astronomers
count their stars
lucky. Knee deep,
Polyphemus sloshes
ashore. The doorman
holds the whitest of
buildings in his hand,
whistling like the
mockingbird his
mother had taught him
to be. Not in so many
stages of life. But for
free. Forever.
Stupefaction rules the
nanosecond. Wait an
era. One eyed meter
readers wearing
goggles to the never
ending prom.
 
 
French Doors
 
Well heeled adagio in descent.
The soon is coming. Hollyhocks
on the sallyport. An algebra
of tippy toes. Harvest the moon.
Replenish. Daub the nitwits with
cooking oil. Stomach the flattery
of the sun drenched at nighty
night. Hold what slippery
concedes. Abut the warmth
of pigeons fleshing out history’s
swell. Adorn the unequivocal
with doubt. Ahoy. Both five
and dime. Land’s end beginning
in the muddle of how I met your
mother. How I stole the show
of hands. Eclipsed in the
homestretch of lucky’s love
for English muffins. Kewpie
dolls poised for battle. The tilt
of righted minds in the choir.
 
 
Right on Roosevelt
 
Adenoidal eloquence dispensed
in grog of toodle-oo’s. Christian
burial in dirty work absolving
tennis elbow in the door. A
trail mix of banter and brawn.
Fundament in the cleats, strode
the plank to pass act three of
congress. A popular treat in
1902. Sandwiched stood to
ridicule the saint of teflon
leanings. Muleskinner.
Refrigerated acolyte. An
extenuated leg, other foot.
Tongue sponged taffy drooler
made to think in threes. A
saga. Feeble as feasible in the
interstellar. But not here, the
people clamored. Radical
lounged. As I saw. I swam.
The gracing of participles
with nothing to wear. The
versions vary according
unwanted guests. As the
immensities are porous. A
tyranny of footprints left to
wander aimlessly. Polygamists
fudging with bombshells. A
respite spelled in looking
elsewhere. Not where. The
where else can you make your
mark of Cain. If not muted
screaming tuning the piano
to the key to the city. A balm.
Another glory. A handsome
toad. The view is everything
you said it wouldn’t matter.
Whether or knotted they come.
To glide over the dance floor
of who I am. Not an avenue.
Strudel tossing pig farmers
marginalizing the infinity of inner
space. Approximate consuming.
But far be it. Go to it. The
ponder-able prairies stippled with
mugshots of pioneers, gracing wet
willies of the wisp with a name so
common it sleeps on the tongue of
a tourist. A circuitously fastest way
possible to rend a tale inert. A
caught betwixt. Friction’s escort.
Dump and dollar down on the pony
in red. The ephemera will still be
here in the morning.
 
 
The Birth of Etcetera
 
Some days I’m not in the mood
for my raincoat. The hobble out
to the woodshed I’ve become.
Token of a myopic mysticism,
entranced by cinderblocks and
lipstick scrawled in Sanskrit
forging bonds of gooey clay.
Graffiti on the walls of the
inscrutable. Every now and
when I see a cartoon laugh of
jackals haunting an echo of old
shoes. A stubborn collage of
noises unmeant to turn a head
to think. To dally in a cocoon
of circles assured of dying
light of fires in the holes that
bring the mountains round
as well.









Philip Byron Oakes